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61-Russian Icon
The Mother of God of Three Joys
19th century
Egg tempera, gold leaf on wood panel
12.25" x 10.25"
James and Tatiana Jackson Collection
his icon clearly
illustrates the heavy influence of Western art on Russian iconography. The
story regarding the prototype of this miracle-working icon states that at
the beginning of the 18th century it was brought to Moscow from Italy.
There a troubled woman heard a voice telling her to seek out the image and
pray before it. She did so and was granted “three joys:” her husband was
returned from exile; her captive son was released; and seized property was
returned. Thus the title “Three Joys.” Copies of this icon, originally
called “The Holy Family,” show the Mother of God, the child Jesus, and the
infant John the Forerunner (Baptist) and Joseph. In many examples the icon
is indistinguishable from the famous Raphael Madonna and Child painting
titled the “Madonna dela Sedia,” now housed in the Pitti Palace, Florence.
In this example the infant John the Forerunner holds a scroll upon which
begins “Pokaitesya, Priblizhibosya….” (Repent ye: for the Kingdom of ….).
This is one of only a few icons in Russian iconography in which Joseph
appears. The others are “The Nativity of the Lord” and the “Meeting of the
Lord.”
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62-Russian Icon
The Indiction
19th century
Egg tempera, gold leaf on wood panel
12" x 10"
James and Tatiana Jackson Collection
his
is an important icon subject, although it is rarely seen. It depicts Jesus
reading Isaiah in the synagogue. The significance is that it is the icon
of the first day of the church year. And the reason this particular type
(Jesus in the synagogue at Nazareth) was chosen is that it not only
represents the beginning of the ministry of Jesus, but also directly
connects to the topic of the beginning of the “year” through the words of
Isaiah: “The Spirit of the Lord is upon me, because he hath anointed me to
preach the gospel to the poor: he hath sent me to heal the brokenhearted,
to preach deliverance to the captives, and recovery of sight to the blind,
to set at liberty them that are bruised, to preach the acceptable year of
the Lord” (Luke 4:18). In this “double” scene, Christ is depicted reading
from the Torah at mid center. On the left he is shown after having read
and at which time he announces, “This day is fulfilled this scripture in
your ears” (Luke 4:21). Along the top border is written the title for this
icon, “The Beginning of the Indiction, Which Is The New Year.” The
exceptionally high quality of painting, combined with the distinctive
style and pallet would strongly suggest that this icon was executed in the
famous icon painting village northeast of Moscow called Palekh.
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